by Yvonne Zoethout – In Friesland, she is widely known. But, depending on who is asking, the question can cut deep: “Wêr komsto wei?” (“Where do you come from?”) Staring into the Frisian waters, the…
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By Quirina Geijsen Face masks, you can see them everywhere now. They come in different shapes and sizes and are offered in multiple choices of the most beautiful and fashionable patterns. Wearing non-medical face masks…
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By Meenaxi Barkataki-Ruscheweyh Let me begin by telling you a little bit about myself, the region and the people — the Tangsa — with whom I worked and some of the questions that I explored. Although I live in Germany now, I am Indian, more specifically an Assamese from the state of Assam in northeast India. Northeast India is a region which is geographically (and according to many, also emotionally) remote from the national capital at New Delhi. Separated from the rest of India except at a corridor, not much more than 20 kms at its narrowest, this region is surrounded by Bangladesh, Myanmar, Nepal, Bhutan and the Tibet region of China.
By Marije Maliepaard The Ghanaian ethnic group of Akan is (among other aspects) known for their Adinkra symbols. Symbols that represent concepts and are often connected to proverbs. They are used in African fabrics, clothes and pottery and nowadays also in logo’s, advertisements and wall paintings. One of their symbols of a bird stretching back to get an egg, named Sankofa, has become an important representation for Africans in the diaspora. The combination of the symbol and the associated proverb ‘se wo were fi na wosankofa a yenkyi’, which translates to ‘it is not wrong to go back for something you have forgotten’ embodies precisely what returned African-Americans feel: a desire to return home, to the soil of where their ancestors were taken from.
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