Introduction by Maaike Matelski In June 2015 the Department of Social and Cultural Anthropology organized a seminar on account of the increasing number of Rohingya refugees in South East Asia. Since 2016 and in particular since…
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By Marina de Regt Last Saturday the holy Muslim month of Ramadan started. Ramadan, a month of fast-ing and feasting, a month of contemplation, a month that should be full of joy and happiness. In Ramadan Muslims experience what it means to be hungry which will make them cherish what they have and feel compassion for those who are poor and hungry. Who will fast Ramadan in Yemen this year? Are there still people left who are not starving to death? Are there still Yemenis who need Ramadan to know what it is like to be poor and hungry?
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The issue of large numbers of refugees arriving by boat has recently made headlines both in Europe and in Asia. Anthropologists at VU University will reflect on both these cases in the coming weeks.
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During the 8th Annual Symposium on Current Developments in Ethnographic Research held this year at the VU (28-30 August) keynote speaker and political scientist Timothy Pachirat talked about his undercover, ethnographic research at an industrialized slaughter house on the kill floor. Timothy, who is Assistant Professor of Politics at The New School for Social Research, wrote a book about his research, ‘Every Twelve Seconds: Industrialized Slaughter and the Politics of Sight’, in which he explores how industrialized violence at an American slaughterhouse is organized, disciplined, and reproduced. At the slaughterhouse, 2,500 cattle are killed per day – one every 12 seconds. With his consent, we share below parts of an interview he held this year with correspondent Avi Solomon from BoingBoing.com about his research and book.
Avi: Why did you choose to go undercover in a slaughterhouse?
Timothy: I wanted to understand how massive processes of violence become normalized in modern society, and I wanted to do so from the perspective of those who work in the slaughterhouse. My hunch was that close attention to how the work of industrialized killing is performed might illuminate not only how the realities of industrialized animal slaughter are made tolerable, but also the way distance and concealment operate in analogous social processes: war executed by volunteer armies; the subcontracting of organized terror to mercenaries; and the violence underlying the manufacturing of thousands of items and components we make contact with in our everyday lives. Like its more self-evidently political analogues–the prison, the hospital, the nursing home, the psychiatric ward, the refugee camp, the detention center, the interrogation room, and the execution chamber–the modern industrialized slaughterhouse is ‘zone of confinement,’ a ‘segregated and isolated territory,’ in the words of sociologist Zygmunt Bauman, ‘Invisible,’ and ‘on the whole inaccessible to ordinary members of society.’ I worked as an entry level worker on the kill floor of an industrialized slaughterhouse in order to understand, from the perspective of those who participate directly in them, how these zones of confinement operate.
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By Duane Jethro Ryan Anderson, writing for the anthropology blog Savage Minds, recently raised the question of the usefulness of authenticity as a methodological tool in the social sciences. Invoking Edward Bruner’s observation that, “authenticity is a red herring, to be examined only when tourists, the locals, or the producers themselves use the term” (Culture on Tour, 2005:5), Anderson argues that authenticity can be constructive in so far as it opens up possibilities for “empirical investigation [into] how different people create and imagine what is and what is not authentic”. Drawing on the controversial case of the Damon Winter’s manipulated photos of American soldiers in the Afghan war, for which the photographer won a prestigious award, Anderson’s post asks us to think about what criteria we should use to evaluate the authenticity of images.
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By Naomi van Stapele
Wanaich looked at me with an intense look in his eyes:
“They just took that man… and cut him with a panga [machete in Kiswahili]. Then they come to me and ask for my ID. It was like a checkpoint. They put kuni [firewood in Kiswahili] and stones on the road. There was no way you could pass them, and they want to know if you are PNU so they look at your ID. I was scared
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