xenophobia – STANDPLAATS WERELD

By Pál Nyíri My son and I have come to see the Hungarian State Folk Ensemble’s show An Evocation of Subcarpathia. According to the introduction to the venerable troupe’s new show, it wants to showcase the multicultural musical and dance heritage of the Western Ukrainian region that formerly belonged to Czechoslovakia and, before then, Hungary, and had a mixed population that included Ruthenians, Slovaks, Hungarians, Romanians, Jews, Gypsies, and Hutsuls. That heritage – juxtaposed rather than hierarchically arranged, the text emphasises – is displayed in the folk dresses of the performers and the languages they sing in (including, counterfactually, Hebrew). But the photos projected on the wall mix nostalgia for a bygone time of diversity with nostalgia for Greater Hungary that is the bread and butter of contemporary Hungarian nationalism.

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gypsy dance — Gypsies performing (photo: stevenimmons)

By Pál Nyiri I watch with a certain envy how my colleagues take part in discussions of and protests against the PVV’s growing strength and its position on immigration. After a year in the Netherlands, I do not yet feel confident enough to participate in these debates myself, and there may be no need for it: anthropologists are perhaps represented with enough voices.

For the time being, I feel more closely connected, and more responsible, for what is happening in Hungarian politics, my country of birth, although I am growing increasingly alienated from it because I feel that the space in which any reasoned discussion of immigration is possible has shrunk to naught with the rapid shift of public discourse to higher and higher levels of nationalism and xenophobia.

Tag: xenophobia

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