By Barbara van Male – ‘When it came to major issues such as migration, climate crisis, inequality, I often felt a sense of unease. How could I to relate to that? It helped me when…
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By Pamungkas (Yudha) Dewanto As a response to the global corona crisis, authorities all over the world set strict health protocols for travelers. Focusing on the case of China, anthropologist Biao Xiang argues that the…
1 CommentBy Matthias Teeuwen When one thinks of a Muslim artist in the Netherlands one naturally thinks of someone who, with his or her art, tries to address issues of integration, tensions between Islam and secularism or the clash between Islamic and western society. Because that is what art by Muslims in the Netherlands is supposed to be about. Right?
In last week’s AALS lecture Dr. Bregje Termeer came to talk to us about her dissertation research on artistic strategies of young Muslim artists living in the Netherlands. What she discovered was that these artists did not subscribe to the definition of what art by Muslims is supposed to be. These artists were, as Termeer called it, ‘disengaging culturalism’.
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Wellicht een wat ongebruikelijke plek voor een MSc student antropologie. Ik heb tenslotte meer dieren dan mensen mogen zien de afgelopen drie maanden. En daarnaast, het eelt op mijn handen is niet uitsluitend van het aantekeningen maken. Met nog een kleine week veldwerk voor de boeg, een kort verslag over mijn ervaringen.
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