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Tag: the Netherlands

‘Everything shifted.’ On the impact of studying anthropology and the value of bringing those skills to work

By Barbara van Male – ‘When it came to major issues such as migration, climate crisis, inequality, I often felt a sense of unease. How could I to relate to that? It helped me when…

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Mobility and immobility during the pandemic: Experiences on a journey from Amsterdam to Semarang

By Pamungkas (Yudha) Dewanto           As a response to the global corona crisis, authorities all over the world set strict health protocols for travelers. Focusing on the case of China, anthropologist Biao Xiang argues that the…

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Aesthetics or Ethnography? Notes on the Amsterdam Anthropology Lecture Series (AALS)

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Photography by Omar, one of Termeer’s respondents

By Matthias Teeuwen            When one thinks of a Muslim artist in the Netherlands one naturally thinks of someone who, with his or her art, tries to address issues of integration, tensions between Islam and secularism or the clash between Islamic and western society. Because that is what art by Muslims in the Netherlands is supposed to be about. Right?

In last week’s AALS lecture Dr. Bregje Termeer came to talk to us about her dissertation research on artistic strategies of young Muslim artists living in the Netherlands. What she discovered was that these artists did not subscribe to the definition of what art by Muslims is supposed to be. These artists were, as Termeer called it, ‘disengaging culturalism’.

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Match-making: the Pakistani way

matchmaking-pakistaniBy  M. Amer Morgahi      Migration has its own dynamic of bringing people together in situations or locations where they otherwise might not have thought of. However, migration sometimes also compels people to take certain steps, occasionally out of sheer desperation, otherwise just to make use of new possibilities created.

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Het boerenbloed kruipt waar het niet gaan kan

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Door Ellen de Lange. Een boerderij op het Nederlandse platteland. De geur van mest, kuilvoer en verse melk. Het geblèr van de potlammeren die trek hebben in melk, de boer die ‘kom op’ roept tegen de koeien, en het feit dat het geluid van de voordeurbel vreemd is; die deur wordt namelijk “al meer dan acht jaar niet gebruikt”, je gaat gewoon achterom.

Wellicht een wat ongebruikelijke plek voor een MSc student antropologie. Ik heb tenslotte meer dieren dan mensen mogen zien de afgelopen drie maanden. En daarnaast, het eelt op mijn handen is niet uitsluitend van het aantekeningen maken. Met nog een kleine week veldwerk voor de boeg, een kort verslag over mijn ervaringen.

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