By Duane Jethro Since the conclusion of the World Cup, questions have been raised about what could be done with the vuvuzelas accumulated during the tournament. In response, the renowned South African cartoonist Zapiro offered a few creative, novel suggestions in one of his weekly sketches for the Sunday Times. These included deafened fans using their vuvuzelas as a hearing aid, following Paris Hilton’s lead and using it as a cannabis pipe, or as the case may be with recently sacked coach Raymond Domenech, using it as a receptacle for collecting change from the public while begging on the street.
Just as the vuvuzela’s uses as a material object were open to a multiplicity of reinterpretations, the horn has also lent itself to myriad symbolic readings that connected it to notions of culture, religion and social identities. In that case, we could perhaps find another, alternate use for the vuvuzela, using it telescopically to look back and scan the uproarious terrain of the World Cup and canvass some of the things that had been overlooked and not really heard.
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